Davey is a graduate of the Royal Central School of Speech & Drama, and works as a performer, director, producer, and writer. As the founder of Ponydog Productions, he creates interactive and immersive experiences that aim to turn audiences into co-writers of their stories. The leading force behind The Reverie Rooms, you can see his work in There's Something About Bottom, Meet::Cute, and the award-winning TattleTales: Immersive Tarot Storytelling which has toured internationally since 2021. Previous Ponydog work includes the sci-fi romp Hotel Bella Luna (Flight Path Theatre), and The Agency (London Horror Festival).

Other writing credits also include indie feature film I Was a Soldier (Lexicon Films). Recent performance credits include: The Sweet Science of Bruising & Fuente Ovejuna! (Flight Path Theatre), The Angry Brigade (New Theatre), Doing (Puddle or Pond/KXT), Nazanin’s Story (UK tour, Howell Productions), and The Inaccurate Perception of Lara Grace (Two Shoes Films), and Scenes from Student Life (BBC Radio 4). As a role-play gamer, he was recently featured as the expert Dungeon Master in the Dungeons & Dragons episode of the 2021 season of Beauty & the Geek', which may go some way to explain why he was never considered cool in high school. Other producer credits include: Much Ado (Flight Path Theatre), the aforementioned The Inaccurate Perception of Lara Grace, and the songs of Bards For Hire, making custom music commissions streamable wherever you get your music. Davey is a proud member of MEAA.

Alex Mesker is a Sydney-based music producer, multimedia artist, and educator who uses Max to design real-time music and visual performance systems. Alex has taught at Macquarie University since 2002 in the areas of music production, sound design, interactive arts, motion graphics, and front-end web design. He has a Master's degree in contemporary music studies and Ph.D. in screen soundtrack studies. Alex designs interactive music generation assistants for music production and image manipulation systems to generate still and moving images. As an artist, he has created generative audiovisual artworks that unify sound and image, incorporating sensing systems that cause audience presence and engagement to affect the work.

Madeleine Withington is a Sydney actor whose parents have been trying to talk her out of the industry since she was 11 years old. Despite these good intentions, she graduated from the Actor’s Centre Australia in 2014 and since then has been working as an actor on a range of projects, from short films to plays to television. Her career highlights include appearing on Home and Away, voicing part of and appearing in the short film ‘We Will’ to support the campaign for marriage equality and messing about in the wilderness to create the short film ‘Guerilla Bay’. Her parents have accepted this with good grace and have come to realise it’s genetic and probably all their fault. She also does some voice stuff

Alastair Brown spent four years studying acting at Flinders University Drama Centre before deciding, the moment that he graduated, that he’d rather be a writer instead. Since then he has written novels, stage plays, screenplays, reviews, and even a couple of songs. His short story “Remembrance In Skin” appeared in issue 150 of Aurealis magazine, he won a Best Writing award for his short play "Flat" in the Melbourne Short & Sweet play festival, and his full-length play “Next to Godliness” was recently short-listed for the Silver Gull Play Award 2023. Alastair lives in Sydney, New South Wales with his wife and with several cats who have started to demand he include them in everything he writes.

Ash is a production designer and visual art teacher, primarily working as a set and costume collaborator across video art, film, theatre, events and music video. After graduating from AFTRS, Ash has gone on to work with clients such as Qantas, Unilever and Absolut, and has designed music videos for Australian recording artists Julia Jacklin, Rainbow Chan, RÜFUS Du Sol, Ricki-Lee and Woodes. Most recently she has production designed for the Cannes Indie Shorts nominated and Flickerfest comedy award winning short film 'Butter: A Love story' (Madeleine Withington/Brosis). Her theatre costume and production design credits include Amadeus (Genesian), 'The Canterbury Tales' (New Theatre), 'Ghost Train' (Genesian), 'Year of The Family' (KXT), 'This is not Mills and Boon' (Old 505), 'Much Ado' (Flightpath) 'ApockaWockaLockalypse' (Meraki) and both iterations of 'U.B.U' (KXT) with Tooth and Sinew.

Aaron is an independent producer who is passionate about ambitious, immersive and irreverent theatre that breaks down the boundaries between the artist and the audience. Producing credits include Slanted Theatre: Lady Precious Stream (Producer, 2022), Ponydog Productions: TattleTales (Producer, 2021–Ongoing), Whimsical Productions: The Things I Could Never Tell Steven (Associate Producer, 2019), Verge Festival: The Blue Bird (Creative Producer, 2017), Adelaide Fringe Festival: Daniel Cullen’s Musical of Thrones (Assistant Producer, 2017) and Jetpack Theatre Collective/kXT: Rhinoceros (Producer, 2016). He was also Production Manager for New Theatre’s Stupid Fucking Bird (dir. Warwick Doddrell), which won the 2018 Sydney Theatre Award for Best Independent Production. While studying at the University of Sydney, he produced the 2017 Science Revue and interactive murder mystery J’Accuse (2016). Aaron graduated from The University of Sydney in 2018 with a Bachelor of Arts (Music) & Bachelor of Science (Psychology), and is currently the Marketing, Engagement & Admin Coordinator for CDP Theatre Producers, one of Australia’s most prolific theatre companies developing and nationally touring new works for young audiences.