Davey is a graduate of the Royal Central School of Speech & Drama, and works as a performer, director, producer, writer. Working largely as the founder & director of Ponydog Productions. His award-winning work has toured nationally, with the Sydney Fringe Award nominated There's Something About Bottom and Meet::Cute debuting this year, and his flagship show TattleTales: Immersive Tarot Storytelling  winning "The Spirit of the Fringe" (Adelaide Fringe '23) and nominated for 4 other awards including "Best Theatre" (Melbourne Fringe '22). Other Ponydog work includes the sci-fi romp Hotel Bella Luna (Flight Path Theatre), The Agency (London Horror Festival), and co-presenting Spectacle & Mirth's Journey to the Kingdom of Hypnos which recieved "Best Immersive" & "The Spirit of the Fringe" awards at Sydney Fringe this year.

Other recent performance credits include: The Sweet Science of Bruising & Fuente Ovejuna! (Flight Path Theatre), The Angry Brigade (New Theatre), Doing (Puddle or Pond/KXT), Nazanin’s Story (UK tour, Howell Productions), and The Inaccurate Perception of Lara Grace (Two Shoes Films), and Scenes from Student Life (BBC Radio 4).

Other producer credits include: Much Ado (Flight Path Theatre), the aforementioned The Inaccurate Perception of Lara Grace, and the songs of Bards For Hire, which makes custom music commissions for gifts, games, and role-play gamers which are streamable wherever you get your music. Other writing credits include work as a ghost writer on indie feature film I Was a Soldier (Lexicon Films, 2023). Davey is a proud member of MEAA.

Lachlan Ruffy has garnered acclaim for his versatility as a performer, writer, teacher and creator. On stage, he has performed in roles as dynamic and varied as Eddie in Fool for Love, Edward Ridgeway in Switzerland, Coulmier in 'Marat/Sade', Don Pedro in Much Ado About Nothing and Jamie in The Last 5 Years. He has appeared in numerous television series, including ABC’s Rake and Total Control. He can be heard as one of the narrators in Kirsten Alexander’s Riptides, an Australian thriller published by Penguin Random House. He is a frequent collaborator with many immersive performance companies across Australia. With Underground Cinema, he has appeared in Dream and Delirium. He also took part in Immersive Cinema’s Dirty Dancing as a compere/dance instructor. For Ponydog Productions, he has co-devised and appeared in Hotel Bella Luna (an improvised escape room) as Herschel/Dennis/Hermann Mann (The German Man). For the same company, he co-devised TattleTales, an immersive storytelling experience, using tarot cards to shape a story created by the Teller and the audience. Among this, Ruffy is an experienced improvisor, writer and storyteller. Along with frequent collaborator Kieran Clancy-Lowe, Ruffy formed The Flaming Koklans, an improv-acoustic-folk duo. The two produce improvised sketches and podcasts together, as well as performing live.

Aaron is an independent producer who is passionate about ambitious, immersive and irreverent theatre that breaks down the boundaries between the artist and the audience. Producing credits include Slanted Theatre: 'Lady Precious Stream' (Producer, 2022), Ponydog Productions: 'TattleTales' (Producer, 2021–Ongoing), Whimsical Productions: 'The Things I Could Never Tell Steven' (Associate Producer, 2019), Verge Festival: 'The Blue Bird' (Creative Producer, 2017), Adelaide Fringe Festival: 'Daniel Cullen’s Musical of Thrones' (Assistant Producer, 2017) and Jetpack Theatre Collective/kXT: 'Rhinoceros' (Producer, 2016). He was also Production Manager for New Theatre’s 'Stupid Fucking Bird' (dir. Warwick Doddrell), which won the 2018 Sydney Theatre Award for Best Independent Production. While studying at the University of Sydney, he produced the 2017 Science Revue and interactive murder mystery 'J’Accuse' (2016). Aaron graduated from The University of Sydney in 2018 with a Bachelor of Arts (Music) & Bachelor of Science (Psychology), and is currently the Marketing, Engagement & Admin Coordinator for CDP Theatre Producers, one of Australia’s most prolific theatre companies developing and nationally touring new works for young audiences.

Ash is a production designer and visual art teacher, primarily working as a set and costume collaborator across video art, film, theatre, events and music video. After graduating from AFTRS, Ash has gone on to work with clients such as Qantas, Unilever and Absolut, and has designed music videos for Australian recording artists Julia Jacklin, Rainbow Chan, RÜFUS Du Sol, Ricki-Lee and Woodes. Most recently she has production designed for the Cannes Indie Shorts nominated and Flickerfest comedy award winning short film 'Butter: A Love story' (Madeleine Withington/Brosis). Her theatre costume and production design credits include Amadeus (Genesian), 'The Canterbury Tales' (New Theatre), 'Ghost Train' (Genesian), 'Year of The Family' (KXT), 'This is not Mills and Boon' (Old 505), 'Much Ado' (Flightpath) 'ApockaWockaLockalypse' (Meraki) and both iterations of 'U.B.U' (KXT) with Tooth and Sinew.

Sophie Parker is a lighting designer living on unceded Gadigal land. She enjoys working with new technologies on novel theatrical designs. Her recent work with Sport for Jove includes Romeo & Juliet (2023, 2022, 2019), As You Like It (2021), & Twelfth Night (2019), as well as Corpus Viderum (RanRun Studio/Vivid Sydney 2022), The Sweet Science of Bruising (Theatre Travels 2022), Puppets (Panimo Pandemonium 2022), and Tattletales (2021-23) & Hotel Bella Luna (2020) with Ponydog Productions. When she's not busy in tech week, Sophie can be found tinkering at her workbench at home.

Amy is a multi-disciplinary designer who graduated from NIDA (2021) with a BFA in Design for Performance. Since childhood, Amy has been an explorer of the world’s wonders and aims to create beauty through different art mediums. She works collaboratively to create uniquely stylised work, incorporating her whimsical style and sense of fun into every project. Originally from regional Western Australia, Amy is now Sydney based and brings her knowledge of Interior Decoration to her design work having attained a Cert IV in Interior Decoration from Bunbury Regional TAFE (2016). Currently, she splits her time between dressing and working on independent design opportunities, including making and buying. Her work can be seen at amyrosejackson.com

Phoenix Mae is an interdisciplinary Artist/Designer working across stage, screen, and installation. Originally from Canberra, she grew up surrounded by the arts and had a desire to make something unique. Her practice is always fuelled by the passion and ambition to create exciting work. She enjoys finding new ways to tell stories that evoke a visceral response from the audience. Phoenix will graduate from NIDA in 2021 with a BFA in Design for Performance. Prior to this she studied Textiles Arts at ANU School of Art & Design (2016-2018) and participated in the Disney International Exchange Program, where she worked in Entertainment Costuming (2017).

Alloquois is an American-born, Sydney-based costume maker and designer. She began her education in the arts in high school, where she worked backstage on student and school productions. After high school, Alloquois decided to further her education in the theatrical arts by moving to Australia and attending NIDA. At NIDA Alloquois had the opportunity to expand her skill set to include supervisory roles, as well as gaining a passion for costume design. She graduated in 2020 with a BFA in costume. As a designer Alloquois has an ambition to display the unusual, explore new stories, and push the limits of material possibility on screen and on stage.